fbpx

Vittore Branca Center

Since 2010, young and expert scholars from Italy and abroad can plan research residencies on the Island of San Giorgio Maggiore, staying in the Vittore Branca Center Residence and working in the Fondazione Giorgio Cini libraries.

 

The International Center for the Study of Italian Culture named after Vittore Branca – a world-renowned Italianist who was Secretary General of the Fondazione Giorgio Cini – is a residential resource for Humanities studies, open to research projects in the field of art history, history of Venice, literature, music, drama, early printed books, comparative civilisations and spritualities.

 

Who can attend the Vittore Branca Center?

 

University students, PhDs, post-docs, professors, writers and artists willing to pursue some research work in Venice libraries.

To plan a research residency, it is necessary to apply via email to: centrobranca@cini.it .

 

How to apply to the Vittore Branca Center?

 

Every applicant shall send:

 

 

via email to: centrobranca@cini.it.

 

Each application will be examined by a panel of specialists.

The Fondazione Giorgio Cini offers co-financing and scholarships to reduce scholars’ cost of stay.

 

The Residence

 

Situated in the grounds of the Island of San Giorgio Maggiore, the Residence can accommodate up to 90 scholars in single and double rooms with private restrooms, featuring telephone and wi-fi Internet connection. Self-catering facilities enable residents to economize on food expenses.

The Residence is also equipped with reception, surveillance and cleaning services plus a Laundromat and food dispensers.

To encourage social life and exchanges of ideas, there are a number of shared spaces for use by all guests, such as the living room, the music room, the fitness room and the terrace.

 

Map of the Island of San Giorgio Maggiore

 

Services connected to the Residence

 

Research topics

 

Here are some research guidelines suggested by the Fondazione Giorgio Cini Research Institutes and Centers.

Applicants could elaborate an independent research project, possibly focused on the materials held in the Fondazione libraries and archives.

 

Art History

Vittorio Cini as art collector and the Fondazione Giorgio Cini art collections

 

Emilian drawings of architecture, perspective, quadraturaand decorations: study and cataloguing of the Antonio Certani collection in the Fondazione Giorgio Cini

 

Drawings for the decorative arts in the Fondazione Giorgio Cini collections: study and cataloguing

 

Landscape drawings: study and cataloguing of the works in Fondazione Giorgio Cini collections

 

Sixteenth- and seventeenth-century Emilian and Bolognese figurative drawings: study and cataloguing of the works in the Antonio Certani collection in the Fondazione Giorgio Cini

 

Nicolò Cipriani’s “Italian Photo Library” in the Fondazione Giorgio Cini: study, reordering, inventorying (and cataloguing) of a section of the photo library

 

Giuseppe Fiocco’s photographic collection in the Fondazione Giorgio Cini: study, reordering, inventorying (and cataloguing) of a section of the collection

 

Rodolfo Pallucchini’s photo library: study and cataloguing of a section of the photo library

 

Twentieth-century art galleries and collecting: study of the documentary archives of the Cardazzo galleries in the Fondazione Giorgio Cini

 

Manlio Malabotta’s twentieth-century graphic art collection: drawings, prints and illustrated books: research and cataloguing

 

N.B. Candidates are invited to contact the Institute (arte@cini.it) to view the collections and archives involved in their chosen research themes.

 

Ancient and rare books

Ancient book collections in the 20th century

 

Illustration and mise en page of Venetian 15th and 16th century books

 

17th century printed books held in the Fondazione Giorgio Cini: personal libraries (Munoz, Dudan, Savadori); illustrated books

 

Chivalric and courtly topics in the illustrated early printed books collection at Fondazione Giorgio Cini

 

Religious treaties for popular use: Arte del ben morire and Imitatio Christi from the Fondazione Giorgio Cini early printed books collection. Exchanges, relations and collaborations among typographers in 15th and 16th century-Venice

 

Comparative Studies of Cultures and Spiritualities

A comparative approach in research – seen as the main antidote to any forms of fundamentalism – and promotion of a dialogue among civilisations, meant as exchange of ideas and comparison among different political, theoretical and aesthetic experiences

 

Emphasis on religious and spiritual sphere and sapiential traditions of civilisations that are object of study and comparison. By “sapiential tradition”, we refer to the answers human beings have given, in different cultural contexts, to any questions concerning their sense of existence in this world, ideals of self perfection and life paths to reach such perfection

 

Recognizing the transforming potential of religious traditions. When facing crisis (ecological, economic and moral crisis) that tear our societies apart, only religious and spiritual traditions seem to trigger emotions and generate the necessary energy to produce radical paradigmatic changes

 

Research projects on the most important sapiential traditions in the world – not only Eastern traditions – with a particular attention to the traditions that helped shape a European identity

 

Research projects focused on study and valorisation of the Tiziano Terzani Archive, donated by his family to the Fondazione Giorgio Cini

 

Ethnomusicology

Studies on the manuscripts of Indian music theory kept in the Giorgio Cini Foundation

 

Alain Daniélou and research into Indian music

 

The Intercultural Institute of Comparative Music Studies at the Giorgio Cini Foundation and the popularizing of Indian music in Italy: a history of forty years of courses, seminars and concerts

 

For a history of IISMC: birth and development of a new idea of popularization and research on world music

 

History of the Venetian State and Society

The Archive of the History of the Venetian State contains not only a microfilm library of over 2 million slides reproducing material on the Venetian Republic kept in non-Venetian archives, but also collections of Italian and international books and periodicals on the history and culture of territories influenced by Venetian culture. It thus provides opportunities for detailed, multifaceted studies on the role played by Venice in European diplomacy.

 

Examples of specific themes that may be referred to are:

 

The “ego-documents”: papers of a lifetime. The “Tenenti” Bequest. Reconstructing Alberto Tenenti’s profile from a historical, intellectual and networking perspective.

 

Mixing and sharing ideas: arrivals, departures and in loco elaboration

 

The relationship between the Serenissima and the Holy See

 

The knowledge of the territory ruled by the government of the Republic – both on land and at sea – at Palazzo Ducale

 

Venice’s perception of the world “expanded” by discoveries, as a privileged observatory of changing horizons and therefore as an “eye on the world”

 

Venice in the “Grand Tour”

 

Istituto Italiano Antonio Vivaldi

The Istituto Italiano Antonio Vivaldi of the Giorgio Cini Foundation is an indispensable resource for any kind of research on the Venetian composer, comprising microfilms and photographic copies of manuscripts and coeval compositions by Antonio Vivaldi (instrumental music, sacred and secular vocal music) preserved in libraries and archives worldwide; all modern editions of music; literature (books and articles) on Vivaldi from all countries; and a large collection of audio and video recordings and discs.

 

Research projects exploring new lines of enquiry and still little known aspects of Antonio Vivaldi’s life and works are welcomed, for example a comparison with Venetian, Italian and European composers of Vivaldi’s time. Specifically, in order to increase the value of the recently acquired Veniero Domini Collection – made by over 1400 recordings (LP, vynils, CDs, videocassettes and DVD) of Antonio Vivaldi’s music works – a special attention will be paid to research projects focused on the evolution of Vivaldi’s interpretation, from the re-discovery of his music in early 20th-century to these days.

 

Literature

The artistic-literary debate in the years of early Futurism, based on documents in the Botta Bequest

 

Venetian scholarly journals in the mid-18th century

 

The 18th-century Repubblica letteraria from Ludovico Antonio Muratori to Angelo Calogerà

 

Giovanni Pascoli and Vittorio Cian: the correspondence between a poet and an intellectual in the early 20th century

 

Gabriele D’Annunzio and the “Fiume exploit,” based on the documents in the Frumi Bequest

 

Art and literature in Italy, Germany and the rest of Europe in the mid-20th century, based on the documents in the Geiger Bequest

 

Women’s literature at the turn of the 20th century: Sibilla Aleramo

 

Italian literary circles in the early 20th century, based on the documents in the Nardi Bequest

 

The “Veneto tradition” in 20th-century culture and the role of Diego Valeri

 

Musicology

The Institute of Music promotes historical and philological research projects aimed at studying its musical archives: see http://archivi.cini.it/cini-web/istitutomusica/home.html

 

Theatre

The theatre of Eleonora Duse

 

The life and art of Aurel A. Milloss

 

Luigi Squarzina as stage director and playwright

 

The artworks of Titina Rota

 

Theatre theory and practice in Arnaldo Momo’s works

 

History of drama, based on opera librettos in the Ulderico Rolandi’s Bequest – specifically focused on Veneto and Venetian opera production

 

Studies on scenic space (space stage) by Elena Povoledo

 

Stage design in the Veneto from 17th to 20th century

 

20th- century Italian author’s set design in cinema and theatre Pierluigi Samaritani’s and Mischa Scandella’s set design

 

Theatre and Movie Direction in the archives of Maurizio Scaparro, Giovanni Poli and Arnaldo Momo

 

Iconography as a study source for the history of theatre

 

The iconography of the 19th-century actor